A_n_t_o_n_i_a

She lived on the second floor of our block, her flat was above ours. I was watching, from the perspective of a child, the embodiment of King Kong going through the phases of evolution and finally becoming an old woman. She was a woman of great soul and body, the latter, with its massiveness, making the impression of a stable person. Although she was characterised by her height and broadness, her heart surpassed them both. It was common knowledge. Neighbours, friends, friends of friends, relatives, children, everyone kept coming back to have a bowl of soup, to sweeten themselves up with some cakes or to taste coffee.

I used to be fascinated by the exquisite cleanliness and order in her small kitchen. There was always enough room in this old-fashioned kitchen, even though the washbasin stood nestled on one side, leaning against the oven, the oven against the fridge, a small table placed to the wall, squeezed in kitchen cabinets surrounded by rickety chairs.

That is why we were much closer to each other than we are today. One of the miracles that I remember happened on a late summer afternoon while I was sharing a meal with her grandchildren. That was when goolash turned into goulash. I felt free to ask for another portion.

And then one day, as if it were yesterday, somehow and suddenly she shrank, like your clothes shrink when washed. She was tiny as she came and rang the bell. Traces of being colossal were gone forever, only her heart kept its existing greatness. I understood. My perspective shifted higher, it grew up.. just like that.

Out of the blue.

Prevela: Mónika Mészáros

Space Interpreter

In the afternoon I was painting on the terrace. Although the artistic adventure did not end, I have managed to displace stains and smears that were crosscut with a variety of lines. It’s all good. Sheltered under a wide roof, I was listening to the silent drizzle of a light rain. In the distance, barely audible, a radio is being heard from the neighbour’s courtyard. Oddly enough, it is not folk music, but classical. Very strange, I thought to myself. He stopped breeding pigs, and the air was filled with freshness of negative ions instead of the stench of the excrement piled up adjacent to the wall separating us. Inevitably, that was a huge loss for the Dadaistic order of thoughts in organizing a painting. I’m trying to degust the taste of the offered peace.

Determined as a soldier, with stained fingers I squeeze the colour tubes. Spelling in my head the English print on labels. Neapolitan yellow and emerald green. They sound like titles.

Without any malice, I demonstrate my mastery of the situation. I’m scoring out this composition of escape from everyday life, yet this beginning is promising, as far as I’m ready to believe in it. I smile, and obliquely stretch my lips. A master of his own, submissive to the painting.

The night is approaching, and there is not enough time. The obligations persistently and inexorably lurk the opportunity, as if they were only waiting for me to get tired and drooped so that they could finally subdue me with their burden.

I know all the tricks.

I’m planning my strategy.

I defy.

When they accumulate, I prioritize and eliminate. There is no planning nor organizing. Later I take a bite of the leftovers, not allowing them to get stale, not letting them stay in one place.

Not allowing them to grow roots, that’s important too. The point is in the freshness of the afternoon and in the smell of turpentine. It is massaging my pituitary gland.

Freedom resides only in choice.